The women film
The Women Film Inhaltsverzeichnis
Sylvie Fowler ist die Herausgeberin eines New Yorker Modemagazins. Eines Tages erfährt sie zufällig, dass der Ehemann ihrer besten Freundin Mary, der erfolgreiche Börsenmakler Stephen Haines, eine Affäre mit einer Nachwuchsschauspielerin hat. Die. The Women ist eine US-amerikanische Filmkomödie aus dem Jahr und gleichzeitig eine Neuverfilmung der gleichnamigen Komödie von George Cukor. Die Frauen (Originaltitel: The Women) ist eine US-amerikanische Filmkomödie aus dem Jahr unter der Regie von George Cukor. Die Hauptrollen spielen. The Women - Bildquelle: Constantin Film Verleih The Women © Constantin Film Verleih Mary Haines bringt Familie und Karriere hervorragend unter. Im Remake The Women erfährt Meg Ryan von der Affäre ihres Mannes, was auch für reichlich Wirbel im Leben ihrer Freundinnen Annette Bening, Jada Pinkett.
Im Remake The Women erfährt Meg Ryan von der Affäre ihres Mannes, was auch für reichlich Wirbel im Leben ihrer Freundinnen Annette Bening, Jada Pinkett. Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Wird oft zusammen gekauft. Sylvie Fowler ist die Herausgeberin eines New Yorker Modemagazins. Eines Tages erfährt sie zufällig, dass der Ehemann ihrer besten Freundin Mary, der erfolgreiche Börsenmakler Stephen Haines, eine Affäre mit einer Nachwuchsschauspielerin hat. Die.
The Women Film - Filmhandlung und HintergrundAnders als in dem Original, das auf einem Broadwaystück basierte, sind hier die Freundinnen nicht mehr in erster Linie Ehefrauen und der bissige Tonfall ihrer Dialoge ist einer gleichgeschlechtlichen Solidarität gewichen. Linus Roache. Mary pocht mit Verweis auf ihre Würde noch mehr auf die Scheidung als Stephen. Die Vielfalt seiner Charaktere dient hauptsächlich dem Dialogwitz. English entschärft das bissig-kämpferische Element zwischen den Damen und legt ihr Augenmerk stattdessen darauf, eine inspirationsreiche Botschaft von Frauenpower und Zusammenhalt zu vermitteln. The Women. Als Steven seinen Seitensprung allerdings nicht wie versprochen aufgibt, reicht Mary die Scheidung ein.
Sylvia arrives at the ranch; Howard is suing her, thanks to recorded evidence of mental cruelty. When she discovers that Miriam is the next Mrs.
Fowler, she attacks her, and a catfight ensues. Mary's divorce comes through, but Miriam tries to convince her that she should forget her pride and call Stephen.
Before Mary can decide, Stephen calls to inform Mary that he and Crystal have just been married. Two years later, Crystal, now Mrs.
Haines, is taking a bubble bath and talking on the phone to her lover, Buck Winston, now a radio star and married to the Countess.
Little Mary overhears the conversation before being shooed away by Crystal. Sylvia picks up the phone and hears the voice of Crystal's lover.
Mary hosts a dinner for her Reno buddies and her Manhattan friends—excepting Sylvia—celebrating Buck and the Countess's two-year anniversary.
The Countess, Miriam, Peggy urge Mary to come along to a nightclub, but she stays home. Little Mary inadvertently reveals how unhappy Stephen is and mentions Crystal's "lovey dovey" talk with Buck on the telephone.
Mary is transformed, crying "I've had two years to grow claws, Mother—Jungle Red! In the nightclub's ladies' lounge, Mary worms the details out of Sylvia, and gets the news to a gossip columnist played by Hedda Hopper.
Mary tells the Countess that her husband Buck has been having an affair with Crystal, then informs Crystal that everyone knows what she has been doing.
Crystal does not care. Mary can have Stephen back, since she will now have Buck to support her. The weeping Countess reveals that she has been funding Buck's radio career and that without her, he will be penniless and jobless.
Crystal resigns herself to the fact that she will be heading back to the perfume counter, adding: "And by the way, there's a name for you ladies, but it isn't used in high society—outside of a kennel.
In January , producers Harry M. Virginia Weidler was cast on April 24, Scott Fitzgerald worked on the script early on in the process, but was uncredited.
The New York Times reported on Cukor's strategies for managing a cast of women led by three famously demanding stars. He described one technique for dealing with precedence: He made sure that all three stars were called to set simultaneously, either by sending separate staff to knock on their dressing room doors at the identical moment, or by calling "Ready ladies!
This system lapsed only once, and the offended star not named remained in her dressing room for a very long time.
The Women has one sequence in Technicolor , a fashion show. When interviewed by TCM host Robert Osborne , director George Cukor stated that he did not like the sequence and that he wanted to remove it from the film.
New York Times critic Frank Nugent agreed with this assessment. Why not a diving exhibition or a number by the Rockettes? It is the only mark against George Cukor's otherwise shrewd and sentient direction.
On the other hand, British critic Peter Bradshaw compares this sequence to the nightmare in Alfred Hitchcock 's Spellbound.
The film was commercially successful and was cited as one of the best of the year. G oing and coming to syrupy movies, we lose our sense of balance Miss Boothe Metro, without alkalizing it too much, has fed it to a company of actresses who normally are so sweet that butter as the man says would not melt in their mouths.
Scott of The New York Times called the film "a witless, straining mess" and added,. You wait in vain for a moment of snappy repartee, of fresh emotion, of grace or charm or pathos If The Women had managed to give its various impulses some kind of coherent shape or tone, it might be worth arguing about.
As it is, the movie wanders and wallows, stumbling toward screwball before veering in the direction of weepiness and grasping at satirical urbanity along the way Rarely has class struggle, or catfighting, for that matter, been so tediously waged.
And rarely have so many fine actresses been enlisted in such a futile cause. Kenneth Turan of the Los Angeles Times observed,.
While the original film This version sees itself as both a farce and a manifesto, a glorification of female friendship and a celebration of women's need for self-realization All that would be a handful to pull off for the most experienced filmmaker, but English has never directed before, and it shows.
The visual choices she makes in The Women are invariably static, and except for whatever energy the performers can manage, the storytelling has a dispiriting flatness to it The film becomes unfocused as it stumbles over all the points it wants to make.
Given English's writing skills, the dialogue doesn't help as much as it should, tending too much toward one-liners that aim for raunchy whenever possible.
Never particularly believable, the story quickly unravels into schematic contrivance and wish-fulfillment fantasy.
David Wiegand of the San Francisco Chronicle wrote,. English doesn't make much of it very enjoyable.
She's so careful to resist the Neanderthal sensibilities of the original film, she often neglects to make her version of the story, well, fun.
Worse, it's only occasionally believable Even those who never saw Cukor's movie will feel something is missing in English's version.
Yes, some of what's missing is humor and snappy dialogue, but that could be forgiven, if only some of the characters were more believable and the direction not quite as uneven.
English knows how to get good performances out of her cast, but her pacing is languid and sloppy, so much so that one is tempted to believe that for all she knows about pacing a minute sitcom, English isn't quite ready to tackle the longer form.
Peter Travers of Rolling Stone rated the film one out of four stars, calling it a "misbegotten redo" and "a major dud. Despite the mostly negative reviews, the film was a moderate box office success.
From Wikipedia, the free encyclopedia. The Women Theatrical release poster. This section needs additional citations for verification.
Please help improve this article by adding citations to reliable sources. Sylvia Fowler and Edith Potter discover this from a manicurist and arrange for Mary to hear the gossip.
On the train taking her to a Reno divorce Mary meets the Countess and Miriam in an affair with Fowler's husband. While they are at Lucy's dude ranch, Fowler arrives for her own divorce and the Countess meets fifth husband-to-be Buck.
Back in New York, Mary's ex is now unhappily married to Crystal who is already in an affair with Buck.
When Sylvia lets this story slip at an exclusive nightclub, Crystal brags of her plans for a still wealthier marriage, only to find the Countess is the source of all Buck's money.
Crystal must return to the perfume counter and Mary runs back to her husband. I just saw this film for the first time a few months ago.
I laughed harder than I remember laughing at anything made in the last twenty years. The Women is brilliantly written, brilliantly acted, and a whole lot of fun!
Norma Shearer is such a sympathetic Mrs. Haines, and the "Jungle red" scene had me in laughing fits.
I just could not stop the video for anything. Rosalind Russell was so funny! I thought the scene in the exercise room was absolutely hysterical.
I've always been a fan of the demeure Joan Fontaine of Rebecca, and I was surprised to see her here, though not surprised that she played the lamb!
This film is such a delight. I think anyone of any age would enjoy it. Sign In. Keep track of everything you watch; tell your friends.
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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A study of the lives and romantic entanglements of various interconnected women.
Director: George Cukor. Available on Amazon. Added to Watchlist. What's New on Prime Video in June.
Favorite Movies. Micro-genre: Female Friendships. Share this Rating Title: The Women 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Wird oft zusammen gekauft. Schon Cukors Adaption eines Broadwaystücks von Clare Boothe Luce kreiste um die Männer, ohne dass man sie je zu Gesicht bekam. Der Film gilt als. Was würden Sie tun, um sich an Ihrem Ehemann zu rächen?Sylvie Fowler (ANNETTE BENING) ist die etwas aufgedrehte und ständig gestresste Herausgeberin. Wenn Filme sprechen könnten, hätte „The Women“ wahrscheinlich genau die Mal der Verdacht, dass der Filmtitel „The Women“ exklusiv gemeint sein könnte. Als Sylvie von einer Affäre erfährt, die Marys Mann Stephen mit dem Filmsternchen Crystal (Eva Mendes) hat, gerät das Quartett in helle.