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Sign In. Oh, but what talk: a tumble of words flowing from a master. The film plunges us into a meeting that cool, collected publisher, Alain Guillaume Canet , is having with an.
His wife Selena suspects [ Writers and publishers, politicians and performers deal with a changing cultural landscape in Non-Fiction, the latest feature from writer and director Olivier Assayas.
Olivier Assayas and Juliette Binoche deliver a very contemporary comedy about modern life and twitter.
The characters all freely unload their opinions of our technical computer-driven age, life on the internet and how twitter, facebook , and texting obsess and drive our daily lives.
Dramatically unrelenting observations of these very interesting! To say the least it is thought provoking and, as done here, very funny.
Thought provoking because the talk is brainy and challenging. Juliette Binoche and Guillaume Canet reunite with seasoned director Olivier Assayas for this dialogue heavy, slyly seductive tale.
And the internet. Set in the world of the latter day bohemian intelligentsia of the Parisian publishing world, Non-Fiction traces the romantic and emotional fallout that results when a controversial writer.
I write feel-bad books. The film premiered at the Venice Film Festival last year under the French title Doubles Vies, which translates to Double Lives, a reference to the characters in the film being writers who live "double lives" through their work.
Set in the Parisian publishing world, an editor and an author find themselves in over their heads, as they cope with a middle-age crisis, the changing industry and their wives.
I saw this in Venice and it's a fun one, will really kick your brain into high gear thinking about all that it discusses.
Avail yourself of the trailer below. This witty, conversational comedy puts the world of publishing under a microscope, particularly focusing on how digital consumption is transforming the industry and the notion of art itself.
While feeling less obviously cinematic than his most recent endeavours, Non-Fiction provides a breezy, perceptive, and very funny portrait of literary publishing in the digital age.
Olivier Assayas crafts films of marvelous depths, simultaneously cinematic and literary in the richness of their pleasures, where the words people speak — and they can speak a lot — are only part of the picture.