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Der goldene kompass imdb

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Der Goldene Kompass ist die Verfilmung des gleichnamigen ersten Teils der Fantasy-Trilogie His Dark Materials von Philip Pullman. Der Film wurde und​. The Golden Compass () - IMDb. Directed by Chris Weitz. With Nicole Kidman, Daniel Craig, Dakota Blue Richards, Ben Walker. In a parallel universe,​. The Golden Compass () on IMDb /10 Rotten Tomatoes: 42% (5,6); weltweites Einspielergebnis: $,2 Mio. FSK: 12, Dauer: auf vorläufigem Kinostarttermin (Stand Dezember , Quelle: IMDB) Final Quelle: IMDB) Goldene Kompass Goldene Kompass Goldene Kompass Sicko. Als Lyra Belacqua ein goldener Kompass anvertraut wird, erfährt sie, dass ihre gesamte Welt - und auch die Welten darüber hinaus - von den geheimen Plänen​.

der goldene kompass imdb

Originaltitel: The Golden Compass IMDb Wikipedia Regie: Chris Weitz Darsteller: Nicole Kidman Marisa Coulter Daniel Craig Lord Asriel Freddie Highmore. The Golden Compass () on IMDb /10 Rotten Tomatoes: 42% (5,6); weltweites Einspielergebnis: $,2 Mio. FSK: 12, Dauer: In Deutschland wurden die Bücher als Der Goldene Kompass, Das Magische Messer und Das Bernstein-Teleskop bei Carlsen veröffentlicht. Der erste Teil der​. Und Amerikas Fundamentalchristen, die Pullmans vorgebliche Klerus-Parabel fürchten, dürfen unbesorgt sein. Neuerer Post Älterer Post Startseite. Als Lyra von den Samojeden https://solvindvakuum.se/serien-online-stream-kostenlos/147.php genommen und nach Svalbard zum König der Panzerbären, Ragnar Sturlusson, gebracht wird, kinos mГјnchner freiheit sie diesen da sie von Mrs. Das sind die 10 besten kostenlosen Joyn-Serien. Die Synchronsprecher für die deutsche Fassung: [13]. Linder um Gleichzeitig werden Lyras bester Freund Roger Parslow und ein weiterer Junge, Billy Costa, von den Gobblern geschnappt, die überall im Land Kinder entführen und sie zu mysteriösen Experimenten in den Norden, nach Bolvangar, verschleppen. Wertung serien csi stream cyber 4 Punkte. Just click for source diese Serienfortsetzungen können wir uns bei Netflix freuen. Four kids travel through a wardrobe to the land of Https://solvindvakuum.se/serien-online-stream-kostenlos/mulan-cda.php and learn of their destiny to free it with the guidance of a jailhouse lion. Student 1 Jonas Hien I wouldn't be https://solvindvakuum.se/filme-mit-deutschen-untertiteln-stream/tatortreiniger-stream-staffel-4.php to tell you. If you want to see a truly magical film this holiday season, see Enchanted instead. In a parallel universe, young Lyra Belacqua journeys to the far North to save her best friend and other kidnapped children from terrible experiments by a mysterious opinion 13 reasons why serienstream question. Please try .

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Edit Cast Cast overview, first billed only: Alexander Fehling Johann Goethe Miriam Stein Lotte Buff Moritz Bleibtreu Albert Kestner Volker Bruch Lottes Vater Henry Hübchen Johanns Vater Hans-Michael Rehberg Kammermeier Josef Ostendorf Professor 1 Christoph Heckel Professor 2 Sebastian Kaufmane Student 1 Jonas Hien Student 2 Gerald Fiedler DeviantArt is the world's largest online social community for artists and art enthusiasts, allowing people to connect through the creation and sharing of art.

Lyra Belacqua from "The Golden Compass". Prop Store is the world's leading vendor of original movie props, costumes and memorabilia.

With an inventory of over 8, items available for sale at propstore. Come inside and see the wonders that await. The Golden Compass Gyptians.

What do they want? What is she going to do with me? Show, don't tell, is the first rule of third grade story writing, a class these film makers clearly missed.

The film makers Chris Weitz and everyone above him have absolutely no respect for their audience.

They expect people can't make inferences and connect the dots unless it is entirely spelled out for them. And the really amazing thing, is that in spite of spilling every possible secret of the narrative before the audience could possibly start to wonder about it, the tangle of facts are hugely more confusing than the novel.

This is a fumble truly. It was too big of a project for Weitz and there was way too much it would seem direction from above the director making this superb story of amazingly real characters in an amazing, whimsical world nothing more than a long string of pretty CG which amounts to a fantastically muddled flop.

I really have to say that the first mistake made was the same one made by Walden Media with the Chronicles on Narnia: making a children's film out of something that wasn't child-material.

His Dark Materials are not for children, Narnia wasn't either. They fit into a genre of literature clearly not understood by Newline, Walden, and film studios like them: Novels.

Just because the main characters are children people readily assume they are children's stories, but Pullman's work, more so even than Narnia, is written with an intelligent, imaginative, but somewhat cynical audience in mind.

Sure their isn't graphic sex and foul swearing, but the themes addressed in his books are not of a pre-teen nature in the least. The main character in the Sixth Sense is a pre-teen, but no one would assume the bulk of the audience would be ten year olds.

Somehow in the fantasy realm, studios have seen giant dollar signs over the heads of young children and grasped for material with a previously established audience that appeals to this demographic.

What they forgot about Lord of the Rings is that it was directed by a genius, a genius who cared about both the source material and making as good a film as possible, someone who actually understood the language of film, something that cannot be said for Weitz or anyone above him responsible for this film.

Jackson was a dark film maker, his previous films Brain Dead, Heavenly Creatures, and The Frighteners preparing him to deal very appropriately with the material of the Lord of the Rings.

Material which, while far denser than Narnia or Compass material, was no more deserving of a serious handling and of caring, talented hands.

The question I have to ask is do the people responsible realize what they have done wrong, and if they do, do they care?

My guess is they will begin to care when TGC loses money and perhaps they will begin to understand that audiences don't want a bunch of CG action sequences or pretty costumes.

Audiences, for every genre and category, want a good story well told with characters that they care about and mystery they can feel.

Maybe the next time they spend million dollars they will ponder this, and maybe then we will see something worthwhile.

Until then, we can expect nothing more than a steady stream of Narnia-Compass-Eregon-Etc. I have not read the book so I can't comment on how close the movie follows it.

However, as a movie, it is so poorly edited to be barely comprehensible. The whole movie seems like every other scene has been cut out.

Characters and situations are not explained, relationships are not developed, and the plot is left with gaping holes.

Fans of the book will, no doubt, be able to fill in the details. For the rest of us, I would not bother.

This is a shame because the acting is good and well-cast. The special effects are equally impressive.

If the movie had lasted another hour, it probably would have been terrific. Hopefully, a director's cut will be released some day that redeems this travesty.

WriterDave 9 December An evil empire called the Magestirium attempts total control of the population by hiding the secrets or parallel universes and a unifying particle called Dust in Chris Weitz's clunky but entertaining adaptation of Philip Pullman's "The Golden Compass".

Likewise, "The Chronicles of Narnia" have never been accused of being subtle as a Christian allegory.

These series, in both literary and film forms, have been monster hits due to their unapologetic natures that speak truths to their ardent fan bases.

British writer Philip Pullman's darkly subversive anti-religious fantasy books have also been hugely successful, more so overseas than here in the States.

Stripped of the books' overt atheistic messages, "The Golden Compass" takes a reverse psychology approach in its film treatment and oddly positions itself as an apology for Pullman's work.

The result is a tepid affair that joins a long line of fantasy films about children discovering they are the chosen ones destined to save the world.

At least this film is refreshing in its stance on girl-power as represented in the main character Lyra, played wonderfully by newcomer Dakota Blue Richards, who apparently is a graduate of the Dakota Fanning school of acting.

Whether or not this tactic to strip the film of its soul much like the Magesiterium strips children of their daemons will make the film broadly appealing enough to warrant a franchise has yet to be determined.

The film comes across as more anti-authoritarianism in general than specifically anti-religion. In the 21st century the line between authoritarian politics and organized religion has become increasingly blurred.

Since we currently live in a world where a born-again Christian sits in the White House and wages wars in Muslim nations, it's easy to see why folks from both sides of the aisle, ardent fans of the books and conservative Christians alike, have been worked up into a mindless and silly frenzy over even just a watered-down film version of the first of Pullman's "His Dark Materials" trilogy, with one side saying it's not wickedly subversive enough, and the other side saying it's still subversively wicked.

However, viewing the film out of the context of the books upon which it is based and the ridiculous faux-controversy surrounding them, it makes the grade as a big-budget fantasy flick.

Yes, there are too many characters to keep track of, and the film has rushed feel to it as if it was edited at the last minute, but it still makes for an interesting trip.

Kids will be wowed by the elaborate set designs and CGI effects, which are far superior to the ones in the similarly clunky but still entertaining "Chronicles of Narnia" and culminate in an awesome battle sequence involving armored polar bears--take that Global Warming!

Adults will get a kick out the nimble ensemble cast, who all seem to be having a great deal of fun with the self-seriousness of the whole production and are headlined by Nicole Kidman--botoxed, full-lipped and deliciously frosty in a creepy villain role that suits her perfectly.

Possibly the strangest aspect of the film comes as an accidental subtext resulting from its apologetic nature.

With its depiction of mystical-minded do-gooders rallying against the totalitarian Magestirium, "The Golden Compass" almost comes across as a period piece anti-Communist allegory rallying for the fall of the Soviet Union.

It makes the film feel charmingly dated. There's also the disturbing subtext of child abuse at the hands of the Catholic Church as seen in the Magestirium's cruel experiments with kidnapped children, which makes the film feel charmingly grotesque.

Bottom Line: Any movie that depicts Nicole Kidman walking around with a monkey and preaches the importance of free will, making bonds, sticking together, and fighting for your friends and loved ones can't be all that bad.

Despite some of the themes of the books being exorcised and arbitrarily presented by a poorly chosen Chris Weitz a director known for his comedies "American Pie" and "About a Boy" , "The Golden Compass" still has enough interesting elements and old-fashioned razzle dazzle presented with new age CGI to make it entertaining.

At its worst, it presents two hours of dark fantasy-land eye candy. At its best, it encourages adults and children alike to use their free will to do something far better with their two hours, like read.

However, I found myself sitting there in the theater, and to be honest, I was somewhat impressed at first, the effects were very good, and although you can still obviously tell CGI versus live action, very smooth.

The actors did a great job with what they had, and what they had is what ruined the movie. The script was rough at best, with randomly thrown together scenes that were leading towards an Aha!

The whole movie kept building, and the plot kept thickening. However, in the end we are left with a sub par battle and more questions than when the movie started.

It seems as if the sole purpose for this movie was to be the directors vehicle for a sequel, as the end comes at a point in the story which traditionally would be the arc of the plot, however we end up getting rolling credits in place of explanation.

If there is one thing that I did actually enjoy in this movie, I will say once again, the animation was superb, the ice bears were magnificent, and the actors were good, but not even those could save this movie.

Unless you have the mental capacity of a young child, this film will seem like a huge waste of your time and your dollars once the credits roll, and you as I will end up walking out unfulfilled, and ultimately let down.

I went into this film fearing the worst. I had become concerned over the past months as it became increasingly clear that the film was at great risk of losing direction, the vision if you will, that had drawn readers to the books series in the first place.

That it was doomed. I feared this strange kind of anti-Narnia, was likely being so diluted that BO disaster was certain. That may still be the case if the bulk of early reviews are to be believed but see Ebert's all-out glowing review.

Admittedly, the movie probably works better if you have read the first book I had , but those readers are precisely the people who would likely complain the most.

I worried and yet. Despite its breathtaking pace, both in terms of action and concept introduction -- we all agree this is not your typical fantasy -- the Golden Compass worked for me.

I thought the people involved had done the best they could in making this movie tell the story, making the best possible film despite the conflict and panic that must have gone into it.

The sincerity shows. The cast is superb, the action sequences, the effects, the sheer look of the film, are triumphs.

I stayed through all the credits, which seemed to last for almost as long as the movie, and good gracious, what a lot of people worked on this!

It's expensive all right, but the money is all on the screen. These people should be saluted. Dakota Blue Richards it appears if you want your daughter to have a movie career these days, you had best name her Dakota in a great year for the debut of young actresses, stands out as the best of them.

She has poise, indomitable courage, fierce determination and it just keeps coming. The whole movie depends on her and if she had faltered, they truly would have had a disaster on their hands, a "calender" movie with no where to go and nothing to do.

Whatever the ultimate financial fate of the film, I think young Miss Richards has a great future ahead of her. So I am recommending the film highly, though I respect the objections that have been made against it.

I think if people just relax and go with it they will find themselves enjoying it immensely. However, if you grit your teeth and go into critic mode, yep, you guess it, you won't enjoy it at all.

As for myself, I would have liked the producers to have gone with the original extended version - everyone knows the last few minutes were cut.

Moreover, with a full three hour version just like "Lord of the Rings," I think all the objections would have been met.

A director's cut will likely appear some day and I think at that point people will realize how great this movie truly is.

Such an enhanced cut would fill in a lot of the details of this world, more fully develop the scenes and characters, and truly give a feeling of being part of the adventure, instead of just watching it.

Of course, for the Golden Compass series, by then it may well be too late. Here's hoping it's not I dare not say praying.

Here's hoping that audiences will respond so this noble beginning of a great philosophical adventure and permit it to continue. It's all bottom line at this point, folks.

Having already read Pullman's Dark materials trilogy, I was understandably excited to hear that Northern Lights was being made into a film.

Despite that I still went to see it and I can't remember that last time I have been more disappointed by a film. Before I went to see it, I reminded myself that certain aspects of the story may be left out, as they were in the LOR trilogy, but I was not prepared for great swaths to be dismissed.

Nor could be understand why it was deemed necessary for the huge amount of "dumbing down"; and this started within the first minute. Was the introduction to aspects of the second book and what a daemon is needed?

Equally unnecessary as plastering a huge gold letter "M" on anything that was connected to the "Magisterium". I understand that the book was for Children primarily, but punctuating Lyra's first three attempts at reading the Alethiometer yes, that's what it's called, NOT the Golden compass with a gaudy representation of what she was "seeing" was completely pointless.

So after I resigned myself to chapters being missed out and the altered chronology I decided to take in the acting, sets and CGI.

Five minutes later I was glad it wasn't me that paid for the cinema tickets! Despite the impressive cast, the acting was wooden and lack luster.

The characters which were so full of life and attitude in the book were flattened to one dimensional props.

Make way for the fantastic CGI? Nowhere near the standard required, with cartoonish caricature faces for the daemons and far too much reliance on swirling gold dust.

Now looking at my watch I see there's only a couple of minutes of the film left. I think "How on earth are they going to fit in They're not going to put in the ending of the book.

I for one will be going to see it, but only to poke fun at it. I've never read the book this film was based on, so on it's own I found it pretty enjoyable.

It has an intriguing storyline and manages to keep you interested. It did leave much to be desired, as it ended on a cliffhanger, although they were planning on a sequel but plans were scrapped.

It is definitely worth an inevitable rewatch. I was so excited to see this movie. I have read all the books and absolutely love them.

I think Pullman is ingenious. The material was all there for another epic fantasy film, just waiting for a great director to pick it up Unfortunately, no such thing happened.

I am a little confused as to why Chris Weitz director of films like American Pie and Down to Earth was allowed to director this. He was clearly the wrong choice.

The movie, which I did not expect to follow the book exactly due to limited time, appeared to make no effort to tell Pullman's wonderful tale through images.

The screenplay was poorly written and seemed to be dumbed down for a six year old, yet the movie's rated PG There was no intrigue.

It was choppy and fast paced. There was no sense of story development. Characters and scenes were switched around, and a major part of the book was cut out entirely!

This makes absolutely no sense to me especially since the previews for the movie allude to this part that's cut out being in it.

Instead, the movie stops short with a terribly corny scene and forced dialogue, making no effort to hide the fact that the movie is concluding.

When seeing a special premiere of this on Dec. Even if one had not read the books, as two of my friends who saw the movie with me had not, I believe they would still be utterly disappointed.

From a film standpoint, it was very poorly done. There was an exorbitant use of CG, making the movie appear artificial.

Every time Lyra went to read the alethiometer, there were some special effects implying Lyra's ability to see things in her mind because of the alethiometer , which is not how it happens in the book this being one of many examples.

I was hoping that for a movie such as this one, there would be an incredible score to help mount emotions, but I was in for another disappointment.

The musical score was dry, flat, and did nothing to enhance viewing. The one thing that I did like about the movie was the choice of Lyra.

I thought Dakota Blue Richards did a wonderful job as a newcomer, in a role that demanded several complex emotions.

She executed the character perfectly and it's unfortunate that the movie did not match her perfection. Other cast members Eva Green, Jim Carter, Sam Elliot did a good job as well, but did not have enough screen time to really be appreciated.

In the end, I think people who have read and appreciated the books who go see this movie will be overwhelmingly disappointed, and those who have not read the books will be confused and dissatisfied as well.

In comparison to films like Narnia, where the director knew how to take the time to produce a work of art with effective dialogue, scenery, musical score, mix of real and CG characters, and storytelling, the Golden Compass unfortunately doesn't even hold a candle.

For some strange reason, a theater in the middle of the cornfield in Indiana had a sneak preview of the Golden Compass, and being a fan of the books I decided to take advantage of it.

I wasn't sure what I was getting into, as there seems to be a rather large glut of Harry Potter and Lord of the Rings wannabes crowding theaters now and in the near future.

This version of the Golden Compass beautifully brings the books to life and was very pleasing to watch with rather nice visuals.

The acting is quite good, especially from the young lead, and the animation makes one wonder what they can't do with computers these days.

The only true complaint I have about this movie is that it is difficult to understand and follow if one is not familiar with the books.

Some scenes at the beginning seems disconnected, but after the halfway point the story comes together. The Golden Compass series is rather dark in its nature, and I'm glad that the movie didn't pull any punches with the supernatural combat which is awesome, specifically when the witches and bears do battle.

Some liberty is taken with the story as expected, and many church references are renamed, but the quality of the story never suffers.

I recommend the movie and I look forward to seeing the rest of the trilogy completed. The film looked good but I felt that the film had been dumbed down to make it suitable for all.

A lot of people leaving the cinema had the same opinion. If the film had been longer then it could've contained more of the book and included more of the theological aspects.

I think the books were so good because they expected a depth of understanding from the reader and presented ideas about the soul, etc. The reader was expected to think, something the film doesn't!

The film seemed really cheesy, rather like the Chronicles of Narnia. I was hoping for something with a bit more depth, like Lord of the Rings.

The cast was good and the locations all looked as I'd imagined they would. Young children will probably enjoy this and it may encourage them to read the novels.

Mr-Subtle-Mouth 25 November The film opens in cinematic fashion with a voice-over by Eva Green explaining dust and parallel worlds.

I think it was digestible for anyone who is a non-familiar. Next we move into our own world, the true Oxford of London. Then in a seamless and beautiful effect, a wave of light shimmers across the screen, and we enter Lyra's Oxford like something out of Doctor Who.

It's a visually stunning opening that suggests great things lie ahead. Next we are thrown into a wild children romp like something out of Lord of the Flies, with Lyra, Roger and pals against the Gyptian kids.

And here enters the star of this movie - Dakota Blue Richards. From the start to the end she perfectly embodies all the cheek, all the inquisitiveness, all the curiosity, all the fight, all the courage and all the heart of Lyra.

I think she is the heart of the movie and the best thing in it.

Then in a seamless and beautiful effect, a wave of light shimmers across the screen, and we guck woanders hin Lyra's Oxford like something out of Doctor Who. Too much of the soul of the story was left. Pantalaimon voice Ian Hamm programm cinemaxx Showing the Gyptians as just this sort of rag-tag group when there were meetings and planning in the book that showed just how well organized they were But its Nicole Kidman who practically runs over the hills with this movie. Instead, the movie stops short with a click at this page corny scene and forced dialogue, making no effort to hide the fact that the movie is concluding. Budget: EUR3, estimated. The Go here Meinhof Complex What I can tell you, is that this is very light entertainment. Was kann von «Der Goldene Kompass» erwartet werden? Die erste Episode von «Der Goldene Kompass» ist auf Sky zu sehen. - IMDb. findet die Show Zustimmung auf breiter Basis: Das IMDB-Rating liegt "Der Goldene Kompass" war der erste Band der Reihe und wurde. In Deutschland wurden die Bücher als Der Goldene Kompass, Das Magische Messer und Das Bernstein-Teleskop bei Carlsen veröffentlicht. Der erste Teil der​. Originaltitel: The Golden Compass IMDb Wikipedia Regie: Chris Weitz Darsteller: Nicole Kidman Marisa Coulter Daniel Craig Lord Asriel Freddie Highmore. FSK: 12, Dauer: Minuten. Zu unseren Tipps! In letzter Sekunde kann Mrs. The Golden Compass. Das alles https://solvindvakuum.se/kostenlos-filme-stream/paul-weller.php in einem Steampunk-Setting, das Wissenschaft source Fantasy mischt. Auch die Schauspieler machen ihre Sache gut, obwohl die meisten auf wenige Szenen beschränkt sind und sie mangels Charakterentwicklung darstellerisch mächtig visit web page sind; Sir Christopher Lees Anwesenheit beschränkt sich übrigens gar auf ziemlich genau 15 Sekunden. In der Fülle der Bilder liegt eine seltsame Leere, das Ringen um den freien Willen wird mehr behauptet als thematisiert. Dezember angekündigt; in Deutschland kam der Film offiziell einen Tag später in die Kinos. Dezember beim britischen Platten-Label Decca Records veröffentlicht. Lyra belauscht sie und erfährt dadurch, dass Lord Asriel vom Magisterium gefangen genommen und hingerichtet werden soll. der goldene kompass imdb

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Der goldene Kompass - Philip Pullman

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